Everything you need to know about Drama article

Creative writing is a great way to let the imagination flow and to share creativity with people. However, while it is easy to get ideas for a good story, writing it is another step. A good article in Drama is a combination of character development and plot. When the first version is finished, revisions of the work are as important as the writing process itself. As the article of Drama can also be qualified with literary text, in this case a certain subjectivity in the development of the text can be useful, since subjectivity is an expressive resource of the language that should be restricted to the literary texts. Also in the literary texts, inversions are liberated, since in this type of language there is a commitment with stylistic aspects of the writing.

Originally the word drama comes from the Greek “drâma”, which means “action”, and was used in relation to theatrical art. And this is what characterizes the dramatic genre – the fact of presenting the staging of a text. A drama is a text whose history is characterized by an unfolding of events similar to those of real life. In the field of art, the word Drama contains multiple meanings.

Summarizing in the basics, Drama is a narrative form in which the direct action of the individuals, text in verse or prose, written to be staged and any narrative in the scope of the literary prosa in which there is conflict or attrition, is figured or imitated, being able to be tale, novel, romance, etc.

The term is also found in the cinema, on television, on the radio, meaning a fictional text, play or movie of a “serious” character, not comic, that presents a development of facts and circumstances compatible with those of the real life.

Writing a Drama Article

Before writing the article, search for the topic you want to describe, to avoid historical errors and terminology so your article can reach a high level.

Create a central idea of ​​the work, outlining and developing a plot that is the causal organization of the events and actions that make up the text. Map the central conflicts of the theme, as they are very important in any literary text. However, one needs to pay attention to them especially in Drama articles. Since the success of your dramatic story relies so heavily on your involvement with these conflicts, it is important to map them during the sketching process – before you begin to make the first version.

How to produce a good article text from Drama?

In order to produce a good text it is necessary that the author has a previous knowledge of the subject that will address. In addition, the clarity of ideas is fundamental to the full understanding of the central idea exposed in the text. In the clear text the ideas need to be well articulated and objective. For this, a careful selection of words is important and should be distributed over short periods. In this way mistakes will be avoided as to the coherence and cohesion of the facts presented and the reader will not be lost amid so many arguments.

Consistency is the organization of the parts of the text. All types of textual production, without exception, need meaning, to have meaning, that is, they must be coherent.

The clarity of a text comes from the coherence of the facts, which are linked through the elements of cohesion, which in turn must be perfectly framed, without the unnecessary repetition of words and ideas.

The article structure of Drama

As this type of text differs from other academic works, its structure is also very unique. Below are some important traits to watch. The first difference is that the article text of Drama is a written text to be staged and therefore has two structures, not just one as in other academic texts. They are called the internal structure and external structure of the text.

In the internal structure of the text we have the initial situation, the conflict and the outcome:

  • Initial situation: it is the presentation of the characters and the intrigue to be developed;
  • Conflict: it is the development of the action or discursive interaction through a sequence of acts until reaching the culminating point of the conflict;
  • Outcome: it is the end result of the discursive interaction between the opposing forces of the conflict. It is the final destination of each character.

Now in the external structure of the dramatic text, we find the act, which is the great division of the text that takes place in the same space, and the scene, which is the subdivision of the act, determined by the entrances and exits of the characters.

The structure itself is constituted by the parts that make up the text. Through the plot, we expose the action, using the elements described in:

  • Exhibition: presentation of the scenery, theme and main characters;
  • Conflict: the event that triggers the conflict;
  • Crisis: the decisive moment in which the protagonist decides to act;
  • Climax: the point of greatest interest to the conflict and with more action;
  • Resolution: the moment the conflict is resolved or it can also leave the resolution open, appealing to the reader’s imagination;
  • Moral: what is the moral meaning of history, a lesson to teach.

Now mentioning about the speeches of the characters, they can be in the form of:

  • Dialogue: when the speaker and interlocutor communicate with each other through a discursive interaction based on speech acts, with a particular reference chain;
  • Monologue: it is a verbal production without the direct interference of the interlocutor, or with a virtual interlocutor, who is actually the speaker itself;
  • Apartes: when the character makes comments to the audience, that way passes from listener to passive interlocutor.

In this kind of text in narrative procedures language, in turn, is predominantly verbal and objective, where only dialogues allow a certain realism with the use of slang, stereotypes and regional accents.

Let your characters talk, because good text needs consistent, unique characters. Of course, these have their own personality and carry their own tone of voice. So when it comes to building dialogues, these characteristics need to surface. Allow your characters’ personality to take complete control over what they are going to say and how they will do it, as this will give authenticity to what they are saying. In the article text of Drama, the appealing function of language prevails, in expressing the external and objective world.

Recommendations for Writing Drama Article Text

Now, according to all of the above mentioned on the clarity of ideas and the development of the theme of the article of Drama, below is a list of recommendations that must be taken into account when writing the text:

  • Pay attention to the good development of the plot;
  • Follow grammatical rules using cultured language, except in dialogues when subjectivity is allowed;
  • Check the terminology applied to the chosen topic;
  • Avoid repetitive terms, using synonyms if necessary, as they enrich the content and prevent the reader from diverting attention from the text of the article;
  • It is good to always keep at hand all the material necessary for the elaboration of the article avoiding interruptions that take the concentration;
  • Always draft drafts and make revisions, before delivery of the work ready;
  • Have impartiality when the theme chosen, especially those of a controversial nature, imply in the observance of cultural and social differences;
  • It is important to be authentic to demonstrate to the reader your ideas;
  • Be clear about the meaning of the term to be addressed, facilitating disambiguation;
  • Write extremely short periods, since they generally deplete the text.

The last revision of the ready text

Rereading the text is an option with excellent results, as the author will call you responsibility and learn that the process of writing and improving it comes with time, with practice. In addition, in doing the textual rereading will observe unnecessary words and excerpts, vague ideas, inappropriate expositions, long and confusing periods, and so on.

Self-correction brings benefits to the sender and receiver of the message, as it avoids textual obscurity and lack of interest. In the same way, when the author distances himself from his text and places himself in the position of reader, he has a greater perception of what was written, whether it is understandable or not.

Through this reflection on textual production, we observe that only the orthographic and grammatical corrections are not enough, but also the textual analysis from the placement of ideas. This makes re-reading even more necessary, since appreciation of a text requires time and willingness.

Therefore, the revision of the text in a Drama article must always be done, in order to have a good result, or rather, a good text.

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